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	<title>American Lyric Theater</title>
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	<link>http://www.altnyc.org</link>
	<description>New Operas for New Audiences</description>
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		<title>AMERICAN OPERA IN ISRAEL</title>
		<link>http://www.altnyc.org/american-opera-in-israel/</link>
		<comments>http://www.altnyc.org/american-opera-in-israel/#comments</comments>
		<pubDate>Fri, 16 Jul 2010 12:46:23 +0000</pubDate>
		<dc:creator>Lawrence Edelson</dc:creator>
				<category><![CDATA[Performing]]></category>
		<category><![CDATA[Singers]]></category>
		<category><![CDATA[The Golden Ticket]]></category>

		<guid isPermaLink="false">http://www.altnyc.org/?p=103</guid>
		<description><![CDATA[The month of July finds me in Tel Aviv, where I am on the faculty of the International Vocal Arts Institute.  My connection to Tel Aviv has a strange connection to American opera.  As a young singer, it was here that I first performed one of my favorite roles, The Magician in Menotti&#8217;s The Consul. [...]]]></description>
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		<title>BEYOND THE PREMIERE</title>
		<link>http://www.altnyc.org/beyond-the-premiere/</link>
		<comments>http://www.altnyc.org/beyond-the-premiere/#comments</comments>
		<pubDate>Wed, 30 Jun 2010 15:35:28 +0000</pubDate>
		<dc:creator>Lawrence Edelson</dc:creator>
				<category><![CDATA[Arts Administration]]></category>
		<category><![CDATA[Commissions]]></category>
		<category><![CDATA[Marketing]]></category>
		<category><![CDATA[The Golden Ticket]]></category>

		<guid isPermaLink="false">http://www.altnyc.org/?p=99</guid>
		<description><![CDATA[The Golden Ticket opened at Opera Theatre of Saint Louis to incredible critical and audience reception this month &#8211; we truly could not have asked for a warmer welcome for American Lyric Theater&#8217;s first commission. But&#8230; what next?  What happens beyond the premiere of a new opera? This is a question that is being asked [...]]]></description>
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		<title>LEADING UP TO THE PREMIERE</title>
		<link>http://www.altnyc.org/leading-up-to-the-premiere/</link>
		<comments>http://www.altnyc.org/leading-up-to-the-premiere/#comments</comments>
		<pubDate>Fri, 11 Jun 2010 04:33:22 +0000</pubDate>
		<dc:creator>Lawrence Edelson</dc:creator>
				<category><![CDATA[Arts Administration]]></category>
		<category><![CDATA[Commissions]]></category>
		<category><![CDATA[Performing]]></category>
		<category><![CDATA[The Golden Ticket]]></category>

		<guid isPermaLink="false">http://www.altnyc.org/?p=92</guid>
		<description><![CDATA[The Golden Ticket has been a daily part of my life for almost four years.  After we delivered the orchestral parts, the conductor scores, and the piano vocal scores to OTSL, everyone at ALT breathed a collective sigh of relief, because the most significant part of our role as the commissioner of the opera had [...]]]></description>
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		<title>VERUCA&#8217;S VIDEOBLOG</title>
		<link>http://www.altnyc.org/verucas-videoblog/</link>
		<comments>http://www.altnyc.org/verucas-videoblog/#comments</comments>
		<pubDate>Mon, 07 Jun 2010 22:24:38 +0000</pubDate>
		<dc:creator>Lawrence Edelson</dc:creator>
				<category><![CDATA[Commissions]]></category>
		<category><![CDATA[Performing]]></category>
		<category><![CDATA[Singers]]></category>
		<category><![CDATA[The Golden Ticket]]></category>

		<guid isPermaLink="false">http://www.altnyc.org/?p=87</guid>
		<description><![CDATA[As I get ready to head to St. Louis for the final week of rehearsals of The Golden Ticket (with a quick trip to Los Angeles for the Opera America conference in the middle!), I was excited to see that Jenny Rivera &#8211; Veruca Salt in the OTSL premiere of The Golden Ticket &#8211; has [...]]]></description>
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		<title>A BLOG RELOCATION</title>
		<link>http://www.altnyc.org/a-blog-relocation/</link>
		<comments>http://www.altnyc.org/a-blog-relocation/#comments</comments>
		<pubDate>Sun, 06 Jun 2010 22:58:28 +0000</pubDate>
		<dc:creator>Lawrence Edelson</dc:creator>
				<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://www.wp.altnyc.org/?p=64</guid>
		<description><![CDATA[ALT has been undergoing a bit of a technical revolution, redoing our website, and migrating our blog to the new website in the process!  I&#8217;ve chosen to repost some of what I think are the more thought provoking articles from our old location so they can be easily accessed.  If you are interested in visiting [...]]]></description>
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		<title>SUBSIDIARY RIGHTS &#8211; AN ISSUE OF OPERATIC PROPORTIONS?</title>
		<link>http://www.altnyc.org/subsidiary-rights-an-issue-of-operatic-proportions/</link>
		<comments>http://www.altnyc.org/subsidiary-rights-an-issue-of-operatic-proportions/#comments</comments>
		<pubDate>Tue, 25 May 2010 22:25:36 +0000</pubDate>
		<dc:creator>Lawrence Edelson</dc:creator>
				<category><![CDATA[Arts Administration]]></category>
		<category><![CDATA[Commissions]]></category>

		<guid isPermaLink="false">http://www.wp.altnyc.org/?p=57</guid>
		<description><![CDATA[I&#8217;m torn. Today, the New York Times reported that both the Public and Roundabout Theatre companies are changing their policies regarding subsidiary rights participation. For those not familiar with the practice, it has been the norm that when a new play or musical is produced (either by a non-profit or commercial producer), if the original production [...]]]></description>
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		<title>THE PERFECT AMERICAN OPERA SINGER?</title>
		<link>http://www.altnyc.org/the-perfect-american-opera-singer/</link>
		<comments>http://www.altnyc.org/the-perfect-american-opera-singer/#comments</comments>
		<pubDate>Tue, 23 Mar 2010 13:44:28 +0000</pubDate>
		<dc:creator>Lawrence Edelson</dc:creator>
				<category><![CDATA[Performing]]></category>
		<category><![CDATA[Singers]]></category>

		<guid isPermaLink="false">http://www.wp.altnyc.org/?p=58</guid>
		<description><![CDATA[What is opera? What&#8217;s the difference between opera and musical theater &#8211; especially American opera, in English? This is a common question, of course &#8211; and the fact is, there is no right answer.  The question came up again last night at the Carnegie Hall performance of The Grapes of Wrath (by Ricky Ian Gordon [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>2.1% &#8211; DIGGING OUR OWN GRAVE</title>
		<link>http://www.altnyc.org/2-1-digging-our-own-grave/</link>
		<comments>http://www.altnyc.org/2-1-digging-our-own-grave/#comments</comments>
		<pubDate>Tue, 23 Jun 2009 16:43:56 +0000</pubDate>
		<dc:creator>Lawrence Edelson</dc:creator>
				<category><![CDATA[Arts Administration]]></category>
		<category><![CDATA[Commissions]]></category>
		<category><![CDATA[Marketing]]></category>

		<guid isPermaLink="false">http://www.wp.altnyc.org/?p=59</guid>
		<description><![CDATA[In 2002, the National Endowment for the Arts (NEA) reported that only 3.2% of the adult population participated in Opera. This week, the NEA released updated statistics: their 2008 research revealed that 2.1% of the adult population participated in Opera, the LOWEST of any art form. I have three things to say to opera company [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>WHAT OPERA COMPANIES CAN LEARN FROM MTV AND COMEDY CENTRAL</title>
		<link>http://www.altnyc.org/what-opera-companies-can-learn-from-mtv-and-comedy-central/</link>
		<comments>http://www.altnyc.org/what-opera-companies-can-learn-from-mtv-and-comedy-central/#comments</comments>
		<pubDate>Wed, 15 Apr 2009 23:54:27 +0000</pubDate>
		<dc:creator>Lawrence Edelson</dc:creator>
				<category><![CDATA[Arts Administration]]></category>
		<category><![CDATA[Commissions]]></category>
		<category><![CDATA[Marketing]]></category>

		<guid isPermaLink="false">http://www.wp.altnyc.org/?p=60</guid>
		<description><![CDATA[I was following a Twitter discussion (experienced ‘tweeters’ please feel free to let me know the correct term for this) about the role of young arts administrators.  Greg Sandow tweeted “a study found that younger people don&#8217;t like working for established arts org because their ideas aren&#8217;t listened to.” This is hardly news, but it opens up [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>THE PUBLIC WORKSHOP DEBATE CONTINUES</title>
		<link>http://www.altnyc.org/the-public-workshop-debate-continues/</link>
		<comments>http://www.altnyc.org/the-public-workshop-debate-continues/#comments</comments>
		<pubDate>Tue, 14 Apr 2009 15:20:57 +0000</pubDate>
		<dc:creator>Lawrence Edelson</dc:creator>
				<category><![CDATA[Arts Administration]]></category>
		<category><![CDATA[Commissions]]></category>
		<category><![CDATA[The Golden Ticket]]></category>
		<category><![CDATA[Workshops]]></category>

		<guid isPermaLink="false">http://www.wp.altnyc.org/?p=61</guid>
		<description><![CDATA[I was not surprised to receive so many emails about my last post. While the debate continues, a few responses that I&#8217;ve received have prompted me to be a bit more clear about my feelings on this topic! Many people emailed me directly about this, or posted comments on facebook (please, post your comments here so [...]]]></description>
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