The Long Walk (premiered 2015)

Music by JEREMY HOWARD BECK
Libretto by STEPHANIE FLEISCHMANN

Based on the Book The Long Walk: A Story of War and the Life 
that Follows by BRIAN CASTNER

The Long Walk is a deeply personal exploration of a soldier’s return from Iraq, where he served as an officer in an Explosive Ordnance Disposal unit. Upon returning from the war, Brian battles what he calls “the Crazy” as he struggles to reintegrate into his family life.

"The plot’s tension is set, taut as a drawn bow."
-The New York Times Magazine

"This is what art...should do: tell an intimate story that resonates universally. It shows us who we are."
-Times Union

"...a strong moving show."
-Opera News

Commissioned by American Lyric Theater
Lawrence Edelson, Producing Artistic Director

World Premiere: July 10, 2015
Opera Saratoga | Saratoga Springs, New York

Upcoming: March 31 – April 1, 2017
Utah Opera | Salt Lake City, Utah

ROLES:
BRIAN (Baritone) – A returned Iraq veteran, served as EOD (Explosive Ordnance Disposal) unit captain, home for almost 2 years.
JESSIE (Mezzo-Soprano) – Brian’s wife
THEIR 3 SONS (Trebles) – Virgil, 10; Martin, 7; Samuel, 5
CASTLEMAN (High Tenor) – Soldier in Brian’s Unit
RICKY (Lyric Tenor) – Soldier in Brian’s Unit
JEFF (Bass-Baritone) – Soldier in Brian’s Unit
IRAQI WOMAN / SHRINK / AUNT SARAH (Soprano)
IRAQI WOMAN / PERNEATHA / YOGINI (Soprano)

INSTRUMENTATION:
fl (= piccl), cl (= bcl) / 2 hn, 2 tpt, tbn, btbn / pno (= synth), 1 perc, 
2 egtr / 2vn, va, vc, db (= ebgtr)

DURATION: 120'

MATERIALS
ONE-PAGE INFO SHEET (PDF)
LIBRETTO (PDF)
SCORES
 Piano/Vocal (PDF)
 Full Score Act I (PDF)
 Full Score Act II (PDF)

DEVELOPMENT AT AMERICAN LYRIC THEATER:

Commission: 2012
Under the auspices of the Composer Librettist Development Program

Libretto Workshop & Reading: February 2013
Public reading part of the The Living Libretto series

Piano/Vocal Workshops & Concerts:
-June 2013 (Scenes)
-June 2014 (Full Opera)
Public concerts part of the InsightALT series

Orchestral Workshops: November 2014 & March 2015
World Premiere: July 2015 at Opera Saratoga, in partnership with American Lyric Theater

JEREMY HOWARD BECK’s music – described as “sparse and haunting” by NPR’s Weekend Edition – has been performed throughout the country: at Opera Saratoga, the Bang on a Can Marathon, Eastern Trombone Workshop, International Trombone Festival, and at venues throughout his native New York City. Honors include grants from The MAP Fund, NewMusicUSA, and JFund/American Composers Forum; a residency at Yaddo (2014); and an ASCAP Morton Gould Young Composer Award (2011). His first opera, THE LONG WALK, opened in 2015 at Opera Saratoga to rave reviews: "The plot’s tension is set, taut as a drawn bow." (The New York Times Magazine) "The Long Walk is a masterpiece… a piece like this brings out all the best aspects of opera.” (Metroland) Jeremy was a Resident Artist with American Lyric Theater and a Composer-in-Residence with the Guidonian Hand trombone quartet, whose recording of Awakening is now available on iTunes, Spotify and bandcamp. He studied with John Corigliano and Christopher Rouse at The Juilliard School and with Mark Adamo and Deniz Hughes at NYU.

STEPHANIE FLEISCHMANN is a librettist and playwright whose texts serve as blueprints for intricate three-dimensional sonic and visual worlds. Opera libretti include: THE LONG WALK, music by Jeremy Howard Beck (American Lyric Theater, Opera Saratoga, Utah Opera); AFTER THE STORM, music by David Hanlon, directed by Matthew Ozawa (Houston Grand Opera’); THE PROPERTY, music by Wlad Marhulets (Lyric Opera of Chicago/Lyric Unlimited); a forthcoming work with composer Christopher Cerrone; and texts for Olga Neuwirth’s “ecstaloop” and “The Cartographer’s Song” (Basel, Berlin, Graz, Stockholm, Aldeburgh). THE LONG WALK has received support from the MAP Fund, OPERA America, the Aaron Copland Fund, and a NYSCA Individual Artist Commission for Fleischmann’s libretto. Music-theater works: RED FLY/BLUE BOTTLE (HERE; Noorderzon, NL; EMPAC) and THE SECRET LIVES OF COATS (Red Eye, Anna Sosenko Assist Trust, Playlabs), music: Christina Campanella; FAR SEA PHARISEE, music: Miki Navazio; THE HOTEL CARTER, music: Jenny Giering (Frederic Loewe Award); WHAT THE MOON SAW, music: Sxip Shirey, Brendan Connelly, Daniel Corral (Son of Semele); THE GREEKS and THE AMERICANS (Juilliard, with Brian Mertes, music: Phil Roebuck, Jim White). Selected plays: SOUND HOUSE (New Georges 2016 Audrey Residency), TALLY HO (Round House Studio, London; Synchronicity), THE WORLD SPEED CARNIVAL (Soho Rep), ELOISE & RAY (New Georges). Additional venues: Exit Festival (Paris), Asolo Rep, Roadworks, Integrity, Prelude, Knitting Factory, Hollywood Bowl. Collaborations: Chekhov at Lake Lucille; THE RUSSIAN DOCTOR (with Andy Dawson; Mass MoCA, Birmingham Rep, U.K.). Published by PLAY, A JOURNAL OF PLAYS, playscripts.com. Grants and awards include: 2014–15 Howard Foundation Fellowship in Playwriting, Greenwall Foundation, NY State Music Fund, 2 NYFA fellowships, Whitfield Cook Award, Tennessee Williams Fellow in Playwriting, Sewanee. Residencies: New Dramatists, MacDowell, HARP, Playwrights Center Core Writer, Hedgebrook, Mabou Mines/Suite, Chocolate Factory. MFA, Brooklyn College.

BRIAN CASTNER is the author of THE LONG WALK, an Amazon Best Book of 2012 and Chautauqua Scientific & Literary Circle selection for 2013. Previously, he served as an Explosive Ordnance Disposal officer in the US Air Force from 1999 to 2007, deploying to Iraq to command bomb disposal units in Balad and Kirkuk in 2005 and 2006. After leaving the active military, he became a consultant and contractor, training Army and Marine Corps units prior to their tours in Iraq and Afghanistan. His writing has appeared in a number of national and regional publications, including Wired, The New York Times, The Daily Beast, The Wall Street Journal, Newsweek, Foreign Policy, Publisher’s Weekly, and Garry Trudeau’s The Sandbox anthology. Brian lives outside of Buffalo, New York with his wife and four sons.