InsightALT: Working for the Macbeths
On Friday, June 2nd at 7:30pm, ALT presents a concert reading of WORKING FOR THE MACBETHS by Johanny Navarro and Marcus Yi. Shakespeare meets Monty Python in WORKING FOR THE MACBETHS, a riotous look behind the tragedy we think we all know. After three witches prophesize the downfall of Macbeth, Florinda - Lady Macbeth’s Lady-in-Waiting - is determined to fight fate and give the Macbeths the happy ending they deserve. Can destiny be changed, or is the play doomed to repeat itself? ALT’s Associate Artistic Director Kelly Kuo conducts a cast featuring Daniel Belcher, David Blalock, Kara Dugan, Aundi Marie Moore, Laura Soto-Bayomi, Kimberly Sogioka, and Jennifer Zetlan; with pianist Justina Lee.
Tickets for WORKING FOR THE MACBETHS may be purchased at: https://tinyurl.com/4f4sy694
InsightALT: She Who Dared
On Wednesday May 31st at 7:30pm, ALT presents a concert reading of SHE WHO DARED by Jasmine Barnes and Deborah D.E.E.P. Mouton. Everyone has heard of Rosa Parks, but she wasn’t the first to refuse to move. SHE WHO DARED recenters the spotlight on the courageous women who helped desegregate the Montgomery bus system. These Civil Rights pioneers pay homage to the quiet struggle for justice that has often gone unknown - further amplifying the effects of the historic case of Browder V. Gayle. While often riotous and sometimes hilarious, these women demonstrate how everyday people have the power to challenge the systems around them and affect tangible change - if only they dare. The workshop concert will be conducted by Michael Ellis Ingram, and features Alyson Cambridge, Flora Hawk, Indira Mahajan, Ronnita Miller, Jazmine Olwalia, Chabrelle Williams and Chrystal E. Williams; with pianist Djordje Steven Nesic.
Tickets for SHE WHO DARED may be purchased at: https://tinyurl.com/3hm96ueb
InsightALT: The Opposable Thumb
Join us for a first listen to THE OPPOSABLE THUMB, an exciting new opera by Jorge Sosa and Julian Crouch!
Is the CLDP for Me? Information Session and Roundtable
Led by ALT’s Founder Lawrence Edelson and ALT’s Associate Artistic Director Kelly Kuo
With CLDP alumni composers and librettists
Regardless of your background, if you think opera could be an exciting place to tell your stories through music, we’d love for you to consider applying to the Composer Librettist Development Program. During this information session and roundtable, ALT’s artistic leadership team, along with recent alumni of the program, will share details of the CLDP structure, schedule, and experience. You will also have the opportunity to ask questions about the CLDP and the application process.
How to Have a Happy Marriage: Collaboration Best Practices
Led by dramaturg Cori Ellison and ALT’s Founder Lawrence Edelson
With composer Missy Mazzoli and librettist Royce Vavrek; composer Kamala Sankaram and librettist Rob Handel; composer David Hanlon and librettist Stephanie Fleischmann; and Paul Moravek and Mark Campbell; and composer Huang Ruo and librettist David Henry Hwang
Opera is the ultimate collaborative art — but what makes a successful collaboration? We will explore how some of the most successful composer-librettist teams, past and present, have ensured that their collective vision of the story they wanted to tell through opera could be effectively realized. The roles of both dramaturgs and directors will also be explored, and how these artists’ different skills can best be leveraged at the ideal point in each opera’s development.
Writing Opera and the Law: A Legal Primer for Composers and Librettist
Led by Entertainment Lawyer James Kendrick
With ALT’s Founder, Lawrence Edelson, and publishing guests TBA
Composers and librettists need to know their rights, and they need to understand the law. In this two-day seminar, opera writers will receive an understandable overview of intellectual property law and the issues surrounding the creation and of new operas including collaboration and commission agreements; working with publishers, agents and managers; issues related to adaptation and life rights; and how to obtain the rights to adapt a work that is not in the public domain.
From Erased to Self-Empowered: Celebrating BIPOC Opera Composers and Librettists
Led by ALT’s Associate Artistic Director, Kelly Kuo
With composers Daniel Bernard Roumain, Justine F. Chen, Anthony Davis, Huang Ruo, and Errollyn Wallen; and librettists Richard Wesley, David Henry Hwang, Kanika Ambrose, and Andrea Davis Pinkney
BIPOC artists have written for operas for centuries, but until recently, most of their contributions to the repertoire were consciously erased from the opera house. We take a look back at the history of BIPOC writers in opera, and are then joined by a group of remarkable BIPOC composers and librettists changing the face of opera today to discuss why they are drawn to opera; navigating racism in the field; and the complementary value of allyship and self-empowerment in advancing their work.
Opera, Technology and Innovation
Led by ALT Alumni, composers Kamala Sankaram and Jorge Sosa
With audio AR producer Richard Rodkin, sound designer Jon Robertson, director Elena Araoz, designer Jeanette Oi Suk Yew, conductor Maria Sensi Sellner, and librettist Rob Handel
Technology has helped to shape opera throughout its history. In this workshop, we will explore some of the most exciting and accessible tools that are available for creating new works. We will compare the use of technology for producing established works versus considerations for writing new operas specifically for the virtual landscape; what specific tools are available; how partnerships can enhance your work, and how to broker them; and activating storytelling through user experience.
Dramatizing History and Opera as Activism
Led by dramaturg Cori Ellison
With composers Jeremy Howard BeckAnthony Davis and Laura Kaminsky; librettists Thulani Davis, Richard Wesley, Stephanie Fleischmann, KimberlyReed,and Mark Campbell; and memoirist Brian Castner
From Claudio Monteverdi and Giovanni Francesco Busenello’s The Coronation of Poppea to Anthony Davis and Richard Wesley’s Pulitzer Prize-winning The Central Park Five, opera has always been an extraordinary mirror in which to reflect and challenge social, historical, and political events. Composers and librettists alike will gain valuable perspective on approaches to dramatizing history, along with practical tools for developing works based on real-life events past and present.
The Architecture of Opera: Outlining for Composers and Librettists
Led by ALT Faculty Mentor, composer / librettist Mark Adamo
ALT principal faculty mentor Mark Adamo developed a unique outlining method while writing his first, critically-acclaimed opera, Little Women, now exclusively taught as a foundational part of the Composer Librettist Development Program. Learn how to use this practical process, which centers the collaborative relationship between composer and librettist through the creation of parallel outlines by each writer before a note of the music or a word of the libretto has been written.